HAIKUI have my headphones. Chillin with Lucy Stone yolol nah bro. THIS HAIKU IS BOLDDEAL WITH IT BRAH WE ARE DA BESTBECAUSE BOLD IS COOLcookies are tasty. Toronto is mah hometownlol no way. I am running out of thoughts like bread and doughnuts. Yum im so hungry. D IS DA BESTVAS HAPPENIN YA CARROTSFOUR BRITS ONE IRISHBest Song Ever by usso sit back and read this dudemaybe its the way she walked (ow), straight into my heart and stole it, throughthe doors and past the guards (ow!), just like she already owned it, I said can you giveit back to me, she said never in yourwildest dreeeamsand we danced all nightto the best song ever, we knew every line, now I can't remember, how it goesbut I won't forget her, cuzwe danced all night to the best song ever. I think it went oh oh ohi think it went yeah yeah yeah I think it goooooooeeessss (duh nuh nuh nuh nuh) Said her name was georg- -- ia rose (ow!), and her daddywas a dentist, said I had a dirty mouth, (I gotta dirty mouth)but she kissed me like she meant it, I saidcan I take you home with me? I can't remember, how it goes but I know that I won't forget hercuz we danced all night to the best song ever, I think It went oh oh oh. I think it went yeah yeah yeah. I think it goesssssss. You know, I know, youknow I'll remember you, and I know, you know, Iknow you'll rememberme, and you know, I know, youknow I'll remember you, and I know, youknow, I hope you'll rememberhow we danced, oh ohoh, yeah yeah yeah, how we danced, 1, 2, 1. I can't rememberhow it goes but I know that I won't forget her, cuz we danced, we danced, it goes something like thiiiiiisssswe knew every line, now Ican't remember, howit goes but I know that I won't forget her, cuz we danced all nightto the best song ev- (ERRRRRRRRRRRRRRRERRRRRRRRRRRRRRerrrrrr)best song ever, itwas the best song ever, itwas the best song everit was the best songever, because one direction is our bae - ze fangirls who really love zayns solo. Connect with creative insights, techniques and designs in the wonderful world of ceramics and pottery. Lascaux, (French: Grotte de Lascaux, "Lascaux Cave"; English / l æ s Lucario is a dog/wolf/jackal-like Pokémon, with a few kangaroo-like characteristics as well. Your source for credible news and authoritative insights from Hong Kong, China and the world. Early Miocene-recent; All extant species of hyenas in descending order of size: spotted hyena, brown hyena, striped hyena and aardwolf. Scientific classification. Retrieved from "http://asianwiki.com/index.php?title=Main Not too many people are aware of the term "Cat Nights," which goes back to the days when people believed in witches. Old Irish legends have it that a witch could turn. Look at this cuddly kitten! Dawn Of The Felines MusicDawn Of The Felines Movie
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But that's not to say that the Black Keys are blues traditionalists: even on their 2. The Big Come Up, they covered the Beatles' psychedelic classic . In between those two records, the duo established the Black Keys as a rock & roll band with a brutal, primal force, and songwriters of considerable depth, as evidenced on such fine albums as 2. Thickfreakness and 2. Rubber Factory. That label released Thickfreakness, recorded in a 1. Keys supported the album with an opening tour for Sleater- Kinney. The Black Keys' momentum escalated considerably with their 2. Black And White Keys To The Future ClipartRubber Factory, which not only received strong reviews but some high- profile play, including a video for . The band's highly touted live act was documented on a 2. DVD, released the same year as Chulahoma - - an EP of blues covers - - appeared. The band capitalized on that moodiness with 2. Attack & Release, whose production by Danger Mouse signaled that the Black Keys were hardly just blues- rock purists. Salvaged from sessions intended as a duet album with Ike Turner, who died before the record could be finished, the album was the Black Keys' biggest to date, debuting in the Billboard Top 1. Following their second live DVD, the Black Keys spent 2. Auerbach releasing his solo album Keep It Hid in the beginning of the year, and Carney forming the band Drummer, in which he played bass. At the end of 2. 00. Blakroc, a rap- rock collaboration between the band and producer Damon Dash, appeared. The band offered a more straight- ahead rock & roll sound with 2. El Camino. On the strength of the hit single . Early Monday morning, Black Keys drummer Patrick Carney fired off a series of tweets detailing an interaction with Jack White that occurred on Sunday night. Many designers love to view photographs for design inspiration. In this post we'll showcase some beautiful black and white photos for your own inspiration. Groups of Black Keys 3. Playing Groups of Two Black Keys 4. Playing Groups of Three Black Keys 5. Playing Groups of Three White Keys 6. The Black Keys are an American rock band formed in Akron, Ohio, in 2001. The group consists of Dan Auerbach (guitar, vocals) and Patrick Carney. In the fall of 2. Tour Rehearsal Tapes EP - - a brief collection of live- in- the- studio run- throughs of 2. Standing in contrast to the short, spiky rock & roll of El Camino, Turn Blue had a psychedelic undercurrent that could be heard on its preceding singles . Black And White Keys PhotosFind The Black Keys bio, music, credits, awards, & streaming links on AllMusic - Intense Akron, Ohio blues-soaked duo that began. Beuys CoyoteJoseph Beuys: Past the Affable. Joseph Beuys images and biography(1. See also: Contemporary/Postmodern Art; Lothar Wolleh's photographic portrait of Josef Beuys. VIEW LIST OF BEUYS IMAGES ON THE WEBThe two most acclaimed German artists at the moment, at least in this country, are Anselm Kiefer and Joseph Beuys. Kiefer's stardom was earned by his dealing with what, in Germany, had been unapproachable before: a looking at the recent past and an accepting of the facts with an attempt to express a response where before there had only been avoidance and denial. With his paintings of the early 1. Here was the invitation to begin a public discussion, a way to express feelings long suppressed in collective shame and blindness at unknowable solutions. Beuys was rewarded for similar reasons. As clown, shaman, and creative force whose artistry respected no boundary lines, the public welcomed this alert distraction from the immense shadow of the recent past. Beuys answered a need of the population, waking up from the shock of its economic social and cultural lethargy following the war, and showed a way to rise from the ashes that was as fun as it was holistic and spiritually challenging. Joseph Beuys, (born May 12, 1921, Krefeld, Ger.—died Jan. 23, 1986, Düsseldorf), German avant-garde sculptor and performance artist whose works, characterized by. Joseph Beuys (German: Joseph Beuys was born in 1921 in Krefeld, a city in northwestern Germany near the Dutch border. He grew up in the nearby towns of Kleve and Rindern, the only child in. Joseph Beuys: Past the Affable ". Non- Germans seem glad to be able to embrace both these figures, beyond the achievements of their art, as a way of forgiving, for a reconciliation with that part of Germany that is most acceptable, most generative, least harmful or threatening, and certainly, most profitable. Beuys's work certainly served, in its initial contact with an audience, as a diversion. But to regard his work simply as an entertainment to nullify the realities in which it was created, is to miss the point of its revolutionary nature. For Beuys, a moment of rapture in engagement with an art article, or art as a respite from the daily grind, is a sentimental act that has no purpose in today's world. He calls for nothing less than a complete overhaul of that system in which art is a product of a consumer society who needs paintings to decorate walls, to use as barter, or to receive momentary uplifting. Beuys's project challenges the established assumptions. The subscription audience expects its standards to be played year after year. These rules are put in place by the powers that be to enforce their own perpetuation. Large doses of the repertoire—Mozart, Schubert, Picasso, Hemingway—uphold the values of the ticket buyers. They're made into cultural icons, like flags waving, like a crest for the bourgeois. These are the models, we're told. This canon is defended by the tastemakers to preserve their values and to acclaim them as the standard. It's not that one must choose sides, that you must either pledge allegiance to easel painting or to Beuys. Fat, felt and a fall to Earth: the making and myths of Joseph Beuys. Photograph: Dan Chung for the Guardian Art and design. Find the latest shows, biography, and artworks for sale by Joseph Beuys. A major figure of the postwar German avant-garde, Joseph Beuys viewed art as a vehic. Joseph Beuys (May 12, 1921 – January 23, 1986) was a German conceptual artist, who produced work in a number of forms including sculpture, performance art, video. Judging solely by the movie, Beuys was a solitary figure who evolved alone in the art world as he experimented with performance art and expanded the idea of what. But Beuys encourages a new attitude at regarding our former preconceptions, our assumptions in looking at art, at the museum and gallery visit. Beuys is not so reactionary as to deny the existence of the entire art history repertoire, or even to extinguish it from present consciousness. He does, however, break with the tradition that would have him making precious objects to be exhibited in a system that needs these accouterments to congratulate itself for its creative achievement or to applaud itself for its taste. For Beuys, the art piece no longer has to be an object to worship for its beauty, for its achievement at duplicating or interpreting in some way our own nostalgia for the unspoiled wilderness (in landscape), or human desirability (nudes, pretty people), portraits (persistence of the regal, historical perpetuation of the conqueror and vanquished), or religious fervor (biblical reenactments, testaments to observance . His agenda turns away from the need to duplicate, to accurately render. Joseph Beuys was a German sculptor, painter, installation artist, art theorist and art pedagogue, and is considered one of the most influential European performance. Joseph Beuys developed a new concept of art as Social Sculpture in post-war Germany after the long period of repression and lethargy. He abandons that skill which we all so admire in artists of the past who are so able to fool us, with their craft of illusion making, by creating those scenes we long to see. In recognizing the responsibility of the post- World War II artist to offer new possibilities, Lyotard says: . The experimental nature of Beuys's work and its insistence on process is a response to the . Beuys moves past the conservative crowd's intent on perpetuating itself with images of beauty, images that can only remind one of the familiar and which fail to initiate any thought but that of pleasure in the comfortable and accepted. He won't accept the narrow confines of a beauty that is a . Beuys's art objects and performances weren't/aren't about entertaining an audience, though in their confluence of wacky happenings with strange substances, in their novelty, they must have at least entertained the most unwilling observer. Beuys wanted to awaken the populace, shake one out of the routines, the acceptable rigors one can pass through life with unobservant of the disparities and conflicts all around. Beuys opened up a route to the possible, a kinetic realm where beauty was as available as anything else. All that was forbidden was apathy. Beauty, however, becomes an archaic concept in Beuys's sphere. Not that what we recognize as beautiful is banished. Rather, that limitation of regarding beauty as an object of veneration or a holding a mirror up to the ideal is extended. Beuys creates a new idea of beauty. One that would regard as silly the traditional conception of that being beautiful which satisfies a sentiment within us that reflects to us some scene of recreation or sereneness or leisure (I'm thinking of Impressionism); the art object existing to soothe us. While Impressionist paintings are undeniably beautiful, it is also undeniable that they helped to create and to preserve—in their depiction of the pleasures of cafe life, the comfortable drawing room interiors, the attended ladies at bath—a class divided from the world in its comforts and signs of sophistication. Beauty is attendant as the price paid for financial superiority. Beauty, here, is a means of escaping from the issues and obligations of the day. It is a way to avoid engagement with the mundane reality surrounding one; a way to lift oneself out of the ditch of the ordinary; to ascend to a plane where comfort is allowable to those who can afford it. Beauty separates those who appreciate it and wish to reside within its frontiers, from the peasant and working class who can only dream. Lotto is a current beauty. Recently, Arthur Danto, in his Nation column, made the distinction between art that retained . March 3. 0, 1. 99. I'd contend that beauty is found in the unfamiliarity of Beuys's work. To the person who comes to a Beuys's piece of action, who is open to the encounter, a whole new realm, unconceived before, is made available. Beauty comes in the steering of us into new places where we transcend the familiar relation we had with objects. In his ritualizations, those objects or materials—like fat, felt—are transformed into instruments of a secular upheaval. It is that moving away from the traditional models, Beuys's insistence on rejecting just those standards the usually less conservative Danto defines as necessary for the beauty experience, that openness to a multicultural model, a willingness to include all models not just the white bourgeois crowd pleaser standard, that shapes what Beuys has called his . If the Dada movement insisted on slapping the public's face in order to demand alternatives to the affable, to impolitely wake society up to the limits of its current progression, it still continued to operate in that society's forum. Though it wished to transform society, its operators were too bound with that system to give up the privileges that society afforded them. What are its artists doing, in photo after photo, wearing the clothes of the bourgeois they deride so aggressively? Why do they adapt the affectations and symbols—in their tuxedos, stiff collars, and fine dresses—of that system they would seem to detest? Many of the Dada artists come right out of the privileged class, and that's the point: you don't come out. You remain, no matter how fervently you deny it. You're connected and a degree of outrageousness will be accepted as the euphoria of an art parlor game. Which is not to deny the power of the art itself by regarding it as product for patrons who had the taste and foresight to collect it. Beuys certainly inherits Dada's rage at the powers that be and he responds with Dada's audacity at not remaining subservient to the restrictions that system would oppress expression with. Dada was an awakening in the form of a movement—artistic, activist/social, but most forcefully, psychological: Its artists refused to adhere to the limits of the expected, or the patronized obligation to entertain and please. Their break was radical in its insistence on offending. It was a people voicing resistance to a social system that would prefer decoration to intellectual fervor. Dada sought to undermine, to question, to reject. Speaking of Polke, Danto points out that being that the artist was born in 1. Beuys might be seen in the same way. Except Beuys's work doesn't need to condemn or indict or find blame or name names. It reacts by offering alternatives, by not playing by the rules of that system which would destroy itself. His art breaks with the need for that value system; it makes not attempt to be accepted or to offer itself for judgment to that bureaucratic maze. By not accepting the criteria, the rules, Beuys courageously forges ahead into new, unexplored territory. He doesn't prolong the themes and variations of the machinery. What his step tells us is that it's possible, indeed necessary, to seek new routes. He takes former student Kiefer to task, sighing that Kiefer just didn't get it. Many of the aspects of Arnold Schoenberg's music that Theodor Adorno investigates so passionately, further illustrates what I'm addressing here. Adorno speaks of Schoenberg's being . The boldness of creating a music varying from the Wagnerian standard is stressed. Thirty years after his death he feels like a visionary who was, and still is, ahead of his time. He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the . Once asked if he was indifferent to such comments he retorted: . I want to expand people’s perceptions.’Andres Veiel lets the artist speak for himself. From previously unpublished audio and video footage Veiel creates an associative, porous portrait which, like the artist himself, opens up spaces for ideas rather than proclaiming statements. Beuys boxes, chats, lectures, explains art to a dead hare and asks: . Once, shortly before his death, he consents to being photographed without his hat. Veiel’s film makes visible the contradictions and tensions which gave rise to Beuys’ Gesamtkunstwerk. Beuys’ expanded concept of art feeds directly into today’s social, political and moral debates. Andres Veiel. Germany 2. German, English. Documentary form. Monsoon — Steak & Sushi. North American Monsoon - Wikipedia. The North American monsoon, variously known as the Southwest monsoon, the Mexican monsoon, or the Arizona monsoon. During the monsoon, thunderstorms are fueled by daytime heating and build up during the late afternoon- early evening. Typically, these storms dissipate by late night, and the next day starts out fair, with the cycle repeating daily. The monsoon typically loses its energy by mid- September when drier and cooler conditions are reestablished over the region. Geographically, the North American monsoon precipitation region is centered over the Sierra Madre Occidental in the Mexican states of Sinaloa, Durango, Sonora and Chihuahua. However, the North American Monsoon shares most of the basic characteristics of its Indian counterpart. There is a shift in wind patterns in summer which occurs as Mexico and the southwest U. S. As this happens, the flow reverses. The prevailing winds start to flow from moist ocean areas into dry land areas. The North American monsoon is associated with an area of high pressure called the subtropical ridge that moves northward during the summer months and a thermal low (a trough of low pressure which develops from intense surface heating) over the Mexican Plateau and the Desert Southwest of the United States. The monsoon extends into the southwest United States as it matures in mid- July, when an area of high pressure, called the monsoon or subtropical ridge, develops in the upper atmosphere over the Four Corners region, creating wind flow aloft from the East or South- East. Pulses of low level moisture are transported primarily from the Gulf of California and eastern Pacific. The Gulf of California, a narrow body of water surrounded by mountains, is particularly important for low- level moisture transport into Arizona and Sonora. Upper level moisture is also transported into the region, mainly from the Gulf of Mexico by easterly winds aloft. Once the forests of the Sierra Madre Occidental green up from the initial monsoon rains, evaporation and plant transpiration can add additional moisture to the atmosphere which will then flow into Arizona. Finally, if the southern Plains of the U. S. Heavy monsoon rain can lead to excess winter plant growth, in turn a summer wildfire risk. A lack of monsoon rain can hamper summer seeding, reducing excess winter plant growth but worsening drought. Flash flooding is a serious danger during the monsoon. Dry washes can become raging rivers in an instant, even when no storms are visible as a storm can cause a flash flood tens of miles away; it is therefore wise to avoid camping in a dry wash during the monsoon. Lightning strikes are also a significant danger. Because it is dangerous to be caught in the open when these storms suddenly appear, many golf courses in Arizona have thunderstorm warning systems. Patterns of rainfall. This type of monsoonal pattern is very common in the late summer of the southwest US. Rainfall during the monsoon is not continuous. It varies considerably, depending on a variety of factors. There are usually distinct . Monsoon precipitation, however, accounts for a substantial portion of annual precipitation in northwest Mexico and the Southwest U. S. Most of these areas receive over half their annual precipitation from the monsoon. By mid to late summer, thunderstorms increase over the . The monsoon typically arrives in mid to late June over northwest Mexico, and early July over the southwest U. S. Once the monsoon is underway, mountain ranges, including the Sierra Madre Occidental and the Mogollon Rim provide a focusing mechanism for the daily development of thunderstorms. Thus much of the monsoon rainfall occurs in mountainous terrain. For example, monsoon rainfall in the Sierra Madre Occidental typically ranges from 1. Since the southwest U. S. Areas further west of the core monsoon region, namely California and Baja California, typically receive only spotty monsoon- related rainfall. In those areas, the intense solar heating is not strong enough to overcome a continual supply of cold water from the North Pacific Ocean moving down the west coast of North America. Winds do turn toward the land in these areas, but the cool moist air actually stabilizes the atmosphere. As shown in the panorama below, a wall of thunderstorms, only a half- hour's drive away, is a common sight from the sunny skies along the coast during the monsoon. This monsoon ridge is almost as strong as the one which develops over Asia during the summer. However, since the lower level moisture flow is not as persistent as in the Indian monsoon, the upper level steering pattern and disturbances around the ridge are critical for influencing where thunderstorms develop on any given day. The exact strength and position of the subtropical ridge also governs how far north the tropical easterly winds aloft can spread. If the ridge is too close to a particular area, the sinking air at its center suppresses thunderstorms and can result in a significant monsoon . However, if the ridge sets up in a few key locations, widespread and potentially severe thunderstorms can develop.
During 2. 01. 4, a dip in the polar jet stream dumped rainfall over the South Central and Southeast United States where some regions did not yield 1. The City of Houston was the hardest hit during the Spring 2. Memorial Day (2. 01. Tax Day/Memorial Day floods (2. Pacific Ocean have stalled over the Four Corners – in recent years the Houston Metro area and Louisiana have become a Western Hemisphere Kolkata or Bangladesh during the South Asian Monsoon. This also holds true with the 2. Louisiana floods. Variability. The difficulty in understanding the variability of summertime convective activity in the southwestern U. S. The larger- scale atmospheric motions may control the distribution of water vapor and the general stability or instability (that is, the tendency to form storms) in the atmosphere; nevertheless, local topographic effects are critical to the geographic and even temporal distribution of convective activity. Shop the latest Monsoon products and looks on the world's largest fashion site. Monsoon Bistro is a modern Indian restaurant which takes its inspiration from an age old approach to dining. This approach allows you to choose a variety of. Monsoon Ladies DressesGoede Tijden, Slechte Tijden gemist? Bekijk hier alle uitzendingen terug. Goede Tijden, Slechte Tijden Uitzending gemist. Sam vermoedt dat Linda haar, achter haar rug om, tegenwerkt. Job weet Rikki te raken met een lief gebaar. Sjoerd schrikt als Aysen wil gaan sporten, net nu de bevruchte eitjes z .. RTL4. Alle afleveringen bekijken. Goede Tijden, Slechte Tijden gemist? Goede Tijden, Slechte Tijden was niet alleen de eerste dagelijks uitgezonden soap van Nederland, maar ook die. Linda en Juanita ontdekken de Mexicaanse keuken. Iedere week een nieuwe video. Show Guide for Goede Tijden, Slechte Tijden. Includes an episode list, cast and character list, character guides, gallery, and more. Goede tijden, slechte tijden (ook bekend als GTST, Goede tijden) is een Nederlandse soapserie die sinds 1 oktober 1990 wordt uitgezonden door de commerciele. Goede Tijden, Slechte Tijden cast list, including photos of the actors when available. This list includes all of the Goede Tijden, Slechte Tijden main actors and. Goede tijden, slechte tijden, English: Good times, bad times, also known as GTST, is the longest-running Dutch soap opera, which began on 1 October 1990 on RTL4. Goede tijden, slechte tijden is een Nederlandse soapserie die sinds 1 oktober 1990 word uitgezonden door de commerciële televisiezender RTL 4. Om deze website te kunnen bekijken moet JavaScript zijn ingeschakeld. Naam: Aysen Baydar Actrice: Dilan Yurdakul (25 januari 2012 t/m heden) Woning: Toko Werk: Rechercheur Meerdijkse politie Burgerlijke stand: Relatie met. Goede tijden, Slechte tijden (GTST) is een Nederlandse soapserie die sinds 1 oktober 1990 wordt uitgezonden door de commerciële televisiezender RTL 4. The list of works by Nora Roberts includes all of the novels and novellas published by author Nora Roberts. The list is in order by year, and within each year it is. As Superintendent of Police, it is my pleasure to present the Upper Darby Police Department 2015 Annual Report. This report provides information and statistics on. Made in the Shade Gardens, Mail Order Details. Once you submit your order, we will calculate your total with shipping, and e-mail you back the same day. Unnaturally Bound. Read part one here first. The guillotine needed a human trial. Jolene was now convinced of that. But how to get a human, some person, to allow themselves to be beheaded? It wasn't something that just anyone would submit to. Jolene herself planned to submit to the guillotine blade, eventually, but she was special. But anyway, lets back it up a little bit. Friday was a bit of a pinch me moment and I have to say a little career highlight of mine. I had the opportunity to work. Official website of the La Verne Police Department. Information on crime prevention, victim assistance programs, parking permits & tickets, Megan’s Law and more. For further information refer to our complete retail hosta listing which includes details on each of these new varieties. Here is how to create a Customer Journey Map — a visual interpretation from an individual’s perspective of their relationship with an organization. It was her passion, her desire to end her life in the midst of the adrenaline rush of sexual excitement, fear, and helplessness that she experienced whenever she lay on the bascule. Jolene began to troll some of the pickup bars she knew, looking for the right victim. Someone she could get to her place and overpower, slide into the execution machine and watch to see how the blade performed. Men were easy to get. She had a constant stream of them in and out of her bed, some men she knew, others pickups from bars or clubs. Once she brought home a guy that she didn't like very much.. She fucked him hard, legs up on his shoulders while he pounded away, but had no intention of keeping him around longer than she had to. He seemed like a possible candidate. When it came time to somehow get him down to the basement and into the guillotine, Jolene realized he was going to be tough to overpower. He was arrogant and controlling, and she wasn't going to be able to fool him into the guillotine.. He walked out of her front door, swearing he would never come back and she spat at him, swearing she'd call the cops if she ever saw him again. Jolene began to look for a woman. It wasn't that hard; Jolene was bisexual and enjoyed bringing women home. She began to frequent some of the gay clubs that women sometimes cruised. She was hit on a number of times but she just couldn't bring herself to fuck the first few dykes that approached her. She liked femme girls, young ones with good bodies and these lesbians were not attractive. Yes, they were just coming to her place to die, and she was using her sex to get some level of control over them. She was lesbian, but very femme and very pretty. Megan sat next to Jolene and the two started hitting it off immediately.? Though I am certainly glad to know it. I haven't seen you since.. I heard she committed suicide.. She had been contemplating it for some time, I think. You know, Simone confided in me, about.. Megan in turn was finding what she thought was a kindred soul in Jolene, and the flirting was ramping up until it became clear they needed to find a place more private. Two hours later, Jolene and Megan were naked in Jolene's bed, faces buried in each other's pussies, doing a marvelous 6. Jolene came first, but the two continued tongue fucking each other until Megan shuddered with a climax as well. The two girls were remarkably well matched, their desire, bodies, looks.. Megan lay staring at Jolene's ceiling, thinking. I hear it is actually sort of weird, perverse. It has gotten to be as much a sex club as a club for suicidal people looking for a way out. You've seriously thought of ending your life? I've never had the guts or resolve to go through with it on my own. She had lost her job and had seriously considering ending it all, though she wavered and was currently content, probably because she was in Jolene's arms. Finally Jolene judged that Megan was ready, and she introduced the topic. In a clean, simple, fast, painless way. Better than anything the Suicide Club offers. It must have been horrible for her. What painless way do you mean? No, I have something faster and more reliable. Come, I will show you. They were both still naked from having made love earlier, and were still in a very intimate mood. When the lights were turned on, the guillotine was plainly seen. Megan gasped and stepped back. I got it from the Suicide Club, actually. They prefer to use more.. She quickly tied her hair up in a knot and lay naked on the bascule. That's it, just push it down. No worries, you won't hurt me. There's plenty of room. This machine was actually designed to be as painless as possible. She was already aroused, her vagina wet and ready. She thought briefly of telling Megan to pull the blade's release.. It just holds you in place so there is no chance of error. Then the blade gets released and its over. In a split second, you are gone.? Just see what you think? No, this is way too intense for me, I mean.. Megan's fingers wriggled and quickly discovered the wetness that indicated Jolene's intense arousal.! Jolene, you are so wet! Megan's hand was still on Jolene's cunt and Jolene was urging her hand on, guiding her fingers to massage her clit slowly as they got closer to the execution device. To be locked at the end of that blade, like the victims of old. Just for a minute, to feel what it must be like. And, well, maybe some approach behavior. If you ever decide, the device is here to help you pass on quickly and painlessly. I don't feel comfortable- -. I've done it many times before, actually masturbated there. It's an amazing experience. She had Megan suck her fingers briefly, and then kissed her as she slid her own fingers between Megan's thighs, finding her own wetness. Slowly pushing with her body and continuing to rub Megan with her fingers, Jolene pushed Megan back against the edge of the bascule and then down into a seated position. Megan had her own fingers on her cunt now, and was rubbing herself, aroused as much as Jolene was by the rather kinky situation. Kissing her gently, letting her bare breasts brush against Megan's body, Jolene pushed gently, pressing Megan into a laying position on her stomach with her head facing down. Her hand remained on Megan's cunt, rubbing, sliding, keeping her as aroused as possible, distracting her from what was happening. Her arousal was through the roof, she felt like she would instantly explode if anyone touched her clit. Having a living, sexy, nude body laying on her guillotine was the most exciting thing Jolene had felt.. Fortunately, the straps were too high on the body for her hands to reach, and too far below her shoulders for her to wriggle free. The positioning of those straps were actually designed remarkably well to keep a prisoner in place with as little fuss as possible. Megan began to struggle a little, still not fully aware of what was happening. Jolene's hand returned to her cunt and two fingers sunk inside Megan's vagina, seeking her G spot, something Jolene had discovered and used just an hour before in her bed. Megan moaned and stopped struggling for a moment and Jolene moved to the leg straps. Quickly, Jolene wrapped the leg straps around Megan's knees, and pulled the buckle tight. She managed to gasp out, . For the full experience. Megan's face now looked straight down at the basket below, a blood stained basket from previous victims decades, perhaps centuries ago. Megan gasped and choked, almost vomiting. The terror of the condemned. Slowly realizing this was real. She could, at any moment, lose her head. She was wiggling in the device, pressing against the restraints, resisting the reality of where she was. Jolene returned her fingers to her own clit, rubbing, sliding one inside, two over her clit, panting as she felt another warm glow of climax coming over her. Megan went instantly silent. No more panting, struggling, crying, begging. Absolute silence from her headless body that lay on the bascule, motionless. Her orgasm slowly fading, Jolene stood up as if waking from a dream, and saw the still form before her. The straps still held the body down, though they were no longer needed. Slowly Jolene ran one hand along Megan's still form, starting with her naked shoulders, down the curve of her back to her buttocks. There was a very slight smell of urine, not much at all. Her legs were smooth and Jolene unbuckled them as her hand slid over the leather restraints. She prodded the body. She pushed again, and it slid on the bascule slightly revealing the bloody blade and stub of neck next to it. There was plenty of blood, but it was more like it was draining, and slowly. Apparently the shock of the head being severed had stopped the heart beating pretty quickly. Sliding her hand over the body once again, Jolene noted that this no longer felt like her former lover's body. No, it felt, and - - was - - a piece of meat. Megan, in one instant, had ceased being a living breathing sex partner woman, and had become merely a piece of meat. Just like the one Jolene had used to test the blade the other day. Jolene pushed the body hard and watched as it rolled into the large body bin she had positioned next to the guillotine. It fell in with a flopping clump. Suddenly Jolene remembered. The head was in the basket on the other side of the blade! She rushed around and looked down. Her pretty face staring up, hair somewhat messed, blood spattered neck severed cleanly and perfectly. She had a look of calm surprise on her face, mouth slightly open. Jolene picked up Megan's head. It was surprisingly heavy. It was dripping a little blood but not a lot. The basket was messy with smeared blood as well, though not as much as one would have thought. Holding Megan's head in her hands, Jolene examined it, tried to imagine it as the woman she had just been making love to. This was the matching head to the piece of meat in the crate; it wasn't real. She even raised the head and kissed its lips.. This thing wasn't alive. She dumped the head in the crate with the body and closed the lid. She soaped herself thoroughly, feeling the sensuousness of the water and slippery skin. For a moment she wished Megan could join her in the shower. It would have been nice to wash each other, exploring each other's bodies. Jolene had complete freedom to explore Megan's body now, but she no longer wished to. It was merely meat. She masturbated in the shower, reliving the entire scene over and over again, remembering details. How Megan had complied by lying down on the bascule. How her naked body had shuddered and strained against the straps. The pleas of the woman that were cut off suddenly with the impact of the blade. St Paul's School, London - Wikipedia. This article is about the boys' public school, now located at Barnes. For the school in the City of London, institutionally associated with St Paul's Cathedral, see St Paul's Cathedral School. St Paul's School is a selective independent school for boys aged 1. John Colet and located on a 4. River Thames, in Barnes, London. It is one of the original nine British . However, The School successfully argued that it should be omitted from the Public Schools Act 1. St Paul's is considered one of the leading schools in the country on the merit of its position in the national GCSE and A level examination performance tables combined with one of the highest Oxford and Cambridge acceptance rates of any secondary school or college. Beginning in 2. 01. History. A cathedral school had existed since around 1. Kendall Jenner, Hailey Baldwin and Bella Hadid Are Sharing a Jet Ski on Secret Vacay. One of our best sellers in St. San Antonio Hotel & Spa overlooks St. It features indoor and outdoor swimming pools, and a Moroccan. Everyone — whoever you are and wherever you are on your spiritual journey — is welcome at St. Paul's Episcopal Church. We are open and welcoming of all regardless. Pauls Case, Part One Download MP3. Our story today is called "Pauls Case." It was written by Willa Cather. First Century Church History Introduction Christianity begins with the resurrection of Jesus of Nazareth. Church history begins on the Day of Pentecost. PS Audio founder and CEO, Paul McGowan, writes a daily blog: short, informative, fun, often controversial, but always interesting. Paul's Chophouse has been serving guests for more than 30 years, and its reputation is second to none. Elegant table settings fill the softly lit dining area of. 4,041 likes · 44 talking about this · 4,464 were here. American style diner, with breakfast served all day, and some Korean Fusion options. By the 1. 6th century however, it had declined, and in 1. John Colet, Dean of St Paul's Cathedral, on a plot of land to the north of the Cathedral. The eldest son of Sir Henry Colet, a member of the Mercers' Company and twice Lord Mayor of the City of London, he inherited a substantial fortune and used a great part of it for the endowment of his school, having no family of his own; his 2. He described himself in the statutes of the school as . The number 1. 53 has long been associated with the miraculous draught of fishes recorded in St John's Gospel, and for several generations Foundation Scholars have been given the option of wearing an emblem of a silver fish. St Paul's was the largest school in England at its foundation, and its High Master had a salary of 1. Head Master of Eton College. The scholars were not required to make any payment, although they were required to be literate and had to pay for their own wax candles, which at that time were an expensive commodity. Cole. Colet was an outspoken critic of the powerful and worldly Church of his day, a friend of Erasmus and Sir Thomas More. Erasmus wrote textbooks for the school and St Paul's was the first English school to teach Greek, reflecting the humanist interests of the founder. Colet distrusted the Church as a managing body for his school, declaring that he . In 1. 87. 6 the company were legally established as trustees of the Colet estate and the management of the school was assigned to a Board of Governors consisting of the Master, Wardens and nine members of the company, together with three representatives each of the Universities of Oxford, Cambridge and London. The Mercers' Company still forms the major part of the School's governing body, and it continues to administer Colet's trust. His description in Positions of . For this description and his enthusiasm for the sport he is considered the father of modern football. St Paul's was one of only nine schools considered by the Clarendon Commission, and one of only two schools which was not predominantly attended by boarders (the other day school was Merchant Taylors'). According to Charles Dickens, Jr., writing in 1. Vacancies are filled up at the commencement of each term according to the results of a competitive examination. Candidates must be between 1. Capitation scholars pay . The governors of this school are appointed by the Mercers' Company and the Universities of Oxford, Cambridge, and London. The school exhibitions are determined as to number and value by the governors from time to time, and the school prizes are of considerable importance. The following are the university exhibitions. To the University of Cambridge there are the following exhibitions: Five exhibitions at Trinity, founded by Mr Perry in 1. An exhibition, founded by Mr Stock in 1. Corpus Christi, of the yearly value of . Four exhibitions, in the same college, value . His arms were Sable on a chevron Argent between three Hinds trippant Argent three Annulets Sable, and they were originally used by his great- grandfather, Richard Colet. As Dean of St Paul's, he was entitled to impale them with the arms of the Deanery, and the school has often used them in this form also. In 2. 00. 2, the school obtained its own grant of arms from the College of Arms consisting of the arms of Dean Colet surrounded by a gold bordure, upon which the crossed swords of the Dean of St Paul's are repeated. The assessment takes the form of a third- party 'apposer', often a leading academic, judging the quality of teaching through scrutinising lectures given by boys in their final year. Today it is primarily a prize giving event, where prizes are awarded to senior boys who have excelled in particular subjects. The Apposition Dinner is held in the Mercer's Hall in London every year around May. Consequences of apposition have led to the dismissal of previous High Masters including Thomas Freeman, for lack of learning (although more probably for holding the incorrect religious views) in 1. In 1. 74. 8, High Master Charles was removed as he had allegedly threatened to . In 1. 88. 4 a new building designed by the architect Alfred Waterhouse rose to dominate the countryside of Hammersmith. The terracotta for the Hammersmith school was made by the famous Gibbs and Canning Limited of Tamworth. At this time the street numbering was changed locally and so the school address, whether by accident or design, became 1. Hammersmith Road. Paul's from Chiswick. In September 1. 93. Easthampstead Park, near Crowthorne in Berkshire, where, under the then High Master, W. Oakeshott, it became solely a boarding school for the period of the war. Playing fields and some other facilities were borrowed from nearby Wellington College, but the boys and the teachers from the two schools remained entirely separate. In the meantime, the London buildings became the headquarters of the Home Forces in July 1. There the XXI army part of the military side of the invasion of Europe was planned, including the D- Day landings. The school recovered its buildings in September 1. By good fortune, the opportunity then came to rebuild the School on a 4. This land had previously been the site of reservoirs which were filled in, reputedly with earth excavated during the construction of the Victoria line. The sports pitches took a long time to settle, and competitive matches were not played regularly at the Barnes site until summer 1. The present and fifth School buildings were opened in September 1. Philip Powell and Hidalgo Moya. The new site also includes the preparatory school, St Paul's Juniors (formerly Colet Court), whose pupils account for roughly one half of the senior school's intake each year. The Waterhouse building on Hammersmith Road was demolished amid protests to allow building of flats, apart from the gates and the peripheral walls, the High Master's House, and a toolhut, though the Colet Court building also survives. Extensive sports facilities notably include a fencing salle, six rugby fives courts, three squash courts and a Racquets court. The location next to the River Thames meant that a rowing boathouse was included in the plans, which itself included both an indoor training tank and housing to accommodate a boatman, whose primary job was to build and maintain the boats. A striking and deliberate omission from the new buildings was any provision for a school hall capable of holding all masters and boys simultaneously, and although the main sports hall is large enough to accommodate the entire school, the difficulty in setting up enough chairs means that the hall is used to house the entire school only twice per year. There were originally two boarding houses in the 1. School House and High House) accommodating up to 1. One of the boarding houses (School House) has been demolished to make way for a new music building, which houses the Wathen Hall. The other (High House, renamed School House) is in the process of being demolished, with boarders relocated to the recently renovated Colet House. The only building which remained from the previous Water Board landowners became the music department for St Paul's Juniors. The original buildings were built using a modular system of interlocking concrete slabs, known as the CLASP system. This allowed for relatively quick and cheap construction, and allowed for the fact that much of the site was formed from reservoir land which was still settling. The whole complex is now in need of replacement; the only existing buildings likely to remain are the Music school, incorporating the Wathen Hall from 1. Rackets Court. 2. Present day. An ambitious total rebuilding of the school at its present site is planned, to be completed over a 2. While former High Master, George Martin Stephen, announced an aspiration for the school to be needs- blind within 2. Pupils of all ages are not allowed to leave the school premises without permission at any time during the day. The school still maintains a boarding house. There are strong boarding house traditions including the annual bonfire and two hours of compulsory study known as . Newer traditions include the sponsored all night five- a- side football tournament, a . However, the charity sponging did not take place in 2. The wing is a four- storey building finished in February 2. It has a floor dedicated to each branch of science, e. The bottom floor is a careers and university section to for the older students. Tables with computers and spaces for students or staff to use as desks are available on all floors. A large number of music concerts, art exhibitions and plays take place each year, and pupils regularly receive national recognition for their achievements. The school also has a strong sports department; St Paul's was a founding member of the Rugby Football Union in 1. More recently, the school teams were runners- up in the rugby U1. Daily Mail Cup in 2. The Boat Club has won the Princess Elizabeth Challenge Cup at Henley Royal Regatta five times (most recently on 5 July 2. J1. 5 2nd VIII record in the School's Head of the River (SHORR.)The school has a strong record in rugby. Saint Paul’s Catholic High School. Founded on the love of Christ and recognising the inestimable worth of each individual, Saint Paul's exists to foster, with care. Videoklip k nejzn. Najdete ho i na DVD Live 1. Klárovo kvarteto je komorní soubor . Hospoda, která se prý stala legendou u. HOST: Lucie Brotbek Prochásková ( Klubový web SK Jihlava. Pravidla karetní hry Kvarteto. Výroba hracích a reklamních karet. OBJEDNÁVKY a INFORMACE: Vyrábíme hrací a reklamní karty i s motivem zákazníka. Kvarteto Mala ScenaClarinet Factory, klasika, jazz, crossover, ethno, minimalismus, elektronika, filmová a divadelní hudba, soudobá hudba, improvizace a p Vítáme na svých webových stránkách p! Hudba na svadbu Slá Festival otrlého diváka. 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